From scan to production-ready files for digital printing

I turn scans of textures and materials into production-ready files for wallpaper, flooring, panels, and other large-format printed surfaces.

Each project is different. Some clients need one specific step, such as scan correction or seamless repeats, while others need support across the full development process.

scan corrections, removing and adjusting elements, correcting spots, color deviations, unncessary details, dust particles and scratches, adjusting color and contrast

SCAN CORRECTIONS

Before a design can be repeated, recolored, or placed into layout, the source image needs to be clean, balanced, and technically reliable.

I correct imperfections in scans such as spots, dust particles, scratches, color deviations, distracting details, and other imperfections that could affect the final print result.

  • Removing, adjusting, or adding elements where needed

  • Enhancing texture while preserving a natural look

  • Adjusting contrast, color, and fine details to avoid unwanted spots in production

Each correction is made with technical precision, so the design keeps its realism while becoming production-ready.

Comparison image showing a wooden surface labeled 'before' at the top and 'after' at the bottom, indicating a cleaning or polishing process.

PRODUCTION LAYOUTS

Creating strong production layouts with visual balance and technical accuracy on large surfaces.

I develop production layouts up to 8m², combining separate planks, tiles, or individual elements into one cohesive design with a natural flow and realistic appearance.

  • Combining separate elements into one balanced layout

  • Rearranging parts to create a natural visual flow

  • Reducing repetition and distracting transitions

  • Mirroring, rotating, or refining areas to improve balance

  • Correcting color spots and uneven details for a cleaner print result

The result is a structured, realistic layout that feels visually natural and ready for production.

Comparison of two wood floor sections labeled 'original' showing the difference in appearance.

SEAMLESS REPEATS

A seamless design prints flawlessly at any scale, without visible transitions or repeat lines that interrupt the flow of the surface.

I create seamless repeats that allow a design to continue naturally across the full surface, whether the repeat needs to run in all directions or only in width or length, depending on production requirements.

  • Removing joins between elements to create a fully seamless layout

  • Building repeats that can print endlessly in the required direction

  • Replacing or refining distracting details that break the repeat flow

  • Correcting color transitions so the repeat disappears naturally

  • Adjusting color spots and tonal variations to avoid distractions in print

The result is a natural-looking surface where the repeat becomes invisible — technically precise and visually balanced.

Image showing two squares of marbled textures side by side. The left square is labeled 'original' and has a beige and cream marble pattern. The right square has four sections labeled 'sep 1', 'sep 2', 'sep 3', and 'sep 4', displaying different grayscale marble textures.

COLOR SEPARATIONS

Color separations prepare the artwork for accurate printing, color matching, and reliable reproduction.

Well-prepared separations make it easier to develop colorways, reduce production corrections, and ensure that the original material can be reproduced consistently on the final printed surface.

  • Accurate color matching

  • Easier recoloring for multiple variations and scalable collections

  • Fast, efficient adjustments of tones and contrast

  • More consistent results across different materials, printers, or factories

  • Digital color studies before production begins

The goal is always the same: reproducing the realistic color of the master sample while maintaining control, flexibility, and predictable print results.

A color palette with five different marbled color swatches, labeled as 'original' and arranged in a grid, showcasing various shades of beige, brown, green, and blue.

COLOR VARIANTS

Color variants allow one master design to grow into a complete collection without rebuilding the artwork from scratch. Designs can be adapted quickly to different interiors, materials, or collection needs while maintaining a consistent visual identity.

I create balanced, production-ready color variants by adjusting tones, contrast, and color balance while preserving the realism of the original design.

  • Multiple colorways from one master design

  • Flexible adaptation to trends, collections, or product ranges

  • Consistent visual identity across different materials or surfaces

  • Reliable, production-ready files for each variant

The goal is to give you creative flexibility while maintaining technical control and predictable print results.

Side-by-side comparison of a modern sideboard, with the left image titled 'original' showing a light wood and pastel green unit, and the right image showing a similar unit with a textured beige finish.

MOCK-UPS & 2D VISUALS

See how your design will look on the final product before production begins.

I create realistic mock-ups and 2D visuals to show how a design works within an interior, helping you evaluate scale, visual impact, and overall atmosphere long before physical samples are available.

They help you to:

  • Test scale, layout, and pattern flow in a real interior context

  • Evaluate color combinations and compare variants quickly

  • Present concepts for marketing, sales, or internal development

  • Communicate ideas and launch collections before physical samples are produced

A practical tool that supports confident decisions and creates a clear bridge between concept, development, and presentation.

Need help turning your design into a production-ready file?

Whether you need a seamless repeat, layouts, colorways, mock-ups, expert Photoshop® support or guidance with your print workflow, I can help.